Literature

german

Report in Campus Leben Oct, 14th 2015: „Vergangenheit mit Zukunft. Tanz- und Theaterwissenschaftlerin Susanne Foellmer und ihre Mitarbeiterinnen forschen zu Archivierungsmöglichkeiten in den Darstellenden Künsten.“

Monographs:

Maria Katharina Schmidt: Getanzte Zitate. Vom choreografierten Déjà-vu. Bielefeld: Aisthesis (2020).

Forthcoming:

Susanne Foellmer: On Remnants and Vestiges. Negotiating Persistence and Ephemerality in the Performing Arts. Abingdon: Routledge (forthcoming, 2021; peer reviewed).

Edited Volumes and Journals:

Susanne Foellmer, Maria Katharina Schmidt, and Cornelia Schmitz (eds.): Performing Arts in Transition. Moving Between Media. Abingdon: Routledge, 2019 (peer reviewed).

S. Foellmer and Richard Gough (eds.): On Leftovers. Performance Research 22(8), 2017 (peer reviewed).

Journal Articles, Chapters in Books:

Forthcoming:

S. Foellmer: “The Archival Turn in Dance/Studies. Reflections on (Corporeal) Archives and Documents.” In: David, Ann/Dixon, Mike/Whatley, Sarah (eds.), Dance Fields: Staking a Claim for Dance Studies in the 21st Century. Binstead/Hampshire: Dance Books (forthcoming, 2020).

S. Foellmer: “Aufführungsanalyse in Zeiten des Reenactments.” (Performance Analysis in the Age of Re-enactment) In: Wihstutz, Benjamin/Hoesch, Benjamin (eds.), Neue Methoden der Theaterwissenschaft (New Methods in Theatre Studies)Bielefeld: transcript (forthcoming, 2020).

Published:

S. Foellmer: Dance, Performance, Media, Transfer: Sketching Notions and Problems in the Field.” In: Foellmer, S./Schmidt, M. K./Schmitz, C. (eds.), Transfer in the Performing Arts. Moving Between Media. Abingdon: Routledge, 2019, p. 15-25.

S. Foellmer: “On the Political Nature of Leftovers.” In: On Leftovers, Performance Research, 22(8) 2017, p. 77-85 (peer reviewed).

S. Foellmer: “What Remains of the Witness? Testimony as Epistemological Category: Schlepping the Trace.” In: Franko, Mark (ed.): The Oxford Handbook of Dance and ReEnactment, Oxford University Press, 2017, p. 269–284.

S. Foellmer: “Das Archiv als situative Anordnung.” (The Archive as Situative Arrangement) In: Bexte,Peter/ Bührer, Valeska/ Lauke, Sarah (eds.): An den Grenzen der Archive (The Limits of Archives). Berlin: Kadmos, 2016, p. 93-110.

S. Foellmer: “ÜberReste. Strategien des Bleibens in den Darstellenden Künsten.” (On Remnants and Vestiges. Strategies of Remaining in the Performing Arts). In: Cairo, Milena/ Hannemann, Moritz/Haß, Ulrike/ Schäfer, Judith (eds.), Episteme des Theaters (Epistemology of Theatre). Bielefeld: transcript, 2016, p. 349-353.

S. Foellmer: “Bewegungen des Bleibens. Bildlichkeiten des Momenthaften im Tanz.” (Remaining Motions.  Iconicities of the Instant in Dance). In:  Kelter, Katharina/ Skrandies, Timo (eds.), Bewegungsmaterial. Produktion und Materialität in Tanz und Performance (Movement Material. Production and Materiality in Dance and Performance), Bielefeld: transcript, 2016, p. 327-351.

S. Foellmer: “‘Fake it!’ Dokument und Museum als Behauptungsfiguren in Performance und Tanz.” (Document and Museum as Figurations of Predication in Performance and Dance). In: Hahn, Daniela (ed.), Beyond  Evidence. Das Dokument in den Künsten (The Document in Art). Munich: Fink, 2016, p. 155-169.

S. Foellmer: “Kipp-Momente: Bildkritik als Praxis der historischen Tanzavantgarde am Beispiel Valeska Gerts.” (Tilting Effects. Iconographic Critique as Practice of the Historic Avant-garde Exemplified By Valeska Gert) In: Jahn, Tessa/ Wittrock, Eike/ Wortelkamp, Isa (eds.), Fotolabor: Tanz 1900-1920. Methodologische und historiografische Reflexionen von Tanzfotografie (Photographic Laborartory: Dance 1900-1920. Methodological and Historiographic Reflections on Dance Photography). Bielefeld: transcript, 2016, p. 150-163.

S. Foellmer: “Re-Play. Reenact.” In: Jahrbuch der Zeitschrift Tanz, August/September 2014.

S. Foellmer: “Re-Cyclings. Shifting Time, Changing Genre in the Moving Museum.” In: Dance Research Journal 46(3),  2014, p. 101–107 (blind peer reviewed).

S. Foellmer: “Re-Enactment und andere Wieder-Holungen in Tanz und Performance.” (Ree-enactment and other Iterations in Dance and Performance) In: Frédéric Döhl/Renate Wöhrer (eds.), Zitieren, Appropriieren, Sampeln. Referenzielle Verfahren in den Gegenwartskünsten (Quoting, Appropriating, Sampling. Methods of Referencing in Contemporary Arts). Bielefeld: transcript, 2014, p. 69–92.